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Juan Rezzuto - Piano, Composition, Music Tech Lessons London (Earls Ct, Fulham, Chelsea, Kensington)
Juan Rezzuto Gold Member
- West London (W14) View on map
- Last Logged In: 11 May 2012
- Sex: Male
- Web site: www.piano-composer-teacher-london.co.uk/
- Can Travel To: EC GU IG N NW SE SW WC
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BMus(Hons.) IUNA, PGDip IUNA
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CRB enhanced disclosure available Nov/2010
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IFL (Institute for Learning)
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References are available upon request
Subjects
(click on the subjects to see other tutors in this area)
- A-level Music £25.00/hr
- Classical Guitar £18.00/hr
- Classical Singing £18.00/hr
- Classical Theory/ Composition £25.00/hr
- GCSE Music £25.00/hr
- Jazz Theory/ Composition £25.00/hr
- Jazz/ Pop Singing £18.00/hr
- Keyboard £25.00/hr
- Music Technology £25.00/hr
- Music Theory Exams £25.00/hr
- Piano £25.00/hr
- Rock/Pop Guitar £18.00/hr
- Songwriting £25.00/hr
- Vocal Coaching £18.00/hr
- Personal Message
- I'm a Concert Pianist and a qualified Contemporary Classical Composer. I have a team of three HQ Musicians. You can find REVIEWS!!!!!
www.piano-composer-teacher-london.co.uk
Piano, Composition and M. Technology Specialist - Which subject(s) do you teach?
- Piano, Composition (i.e. Fugues, inventions, Sonata, Rondo), Analysis, Chamber Music, Music Theory, Orchestration, Music Technology.
My Associate teachers with whom we share the same level of experience and qualifications teach Guitar, Singing (POP and CLASSICAL) and Violin. - Tell me about your qualifications.
- CONCERT PIANIST. Bachelor in Musical Arts and Composition from IUNA (National University Institute of Arts - Buenos Aires, Argentina), Electroacoustic music Studies (IUNA). Accepted by the RCM to take part in the Masters in Composition programme (Postgraduate studies).
Languaje: IELTS Academic 2010.
Concerts and Awards:
• 1995 Piano recital for the National Committee of Culture in Santa Maria de la Armonia. From that moment, and while studying with Maestra Eugenia Rozanthal, he played in the most important local theatres: Teatro Colón de Mar del Plata, Villa Ortiz Vasualdo – Museo Castagnino, Hotel Costa Galana.
• 2005, while studying with Maestra Elsa Puppulo (www.elsapuppulo.com.ar), he played the Haydn Concerto for Piano and Orchestra with the Academic Symphonic Orchestra of Mar del Plata in the Teatro Colon of that city. The same year, and in the same Theatre he played a recital with works from Bach to Tauriello (contemporary argentine composer).
• During the years 2006 and 2007 he gave several concerts in the Palace Sans Souci for Embassies and International Organisms in Buenos Aires.
• In 2008 the short Film “El Chico”, directed by Javier van de Couter and with Rezzuto as a composer, was selected in BAFICI (International Independent Film Festival of Buenos Aires) as one of the seven best pieces over three hundred participants.
• In 2008 his aereal ballet “Gracia Máxima” was presented along with the first transmisión to Buenos Aires from the Metropolitan Opera House to the Teatro 25 de Mayo (theatre that is replacing Colon Theater while the last one is going through reconstruction).
• Some months later and in the same theatre, the winners of the national piano and strings contest played his “Fantasy for violin and piano”.
* November 2009 Concert at Brandon´s Classical Music Events (Chiswick)
Prokofiev 3rd Sonata
* December 2009 Concert at Brandon´s Classical Music Events (Chiswick)
Prokofiev 3rd Sonata
* January 2010 Concert at Brandon´s Classical Music Events (Chiswick)
Beethoven "Pathetic" Sonata
* June 2011 Concert for Jasper Conran Ltd. (EXCLUSIVE ARTIST AT WARDOUR CASTLE) - What kind of experience do you have?
- 8 years of one to one tutoring and 1 year of group tutoring in UK.
- How much do you charge?
- "EVERYONE IS INCLUDED" policy. Just give me a call and we discuss the options.
- Where do you teach?
- I live in West Kensington and I'm willing to teach in Earls Court, Barons Court, Fulham, Chelsea, South Kensington, Central London, North London or any place that is less than 20 miles away.
- When are you available?
- I teach on holidays too. I'm available on weekdays and weekends as well.
- Which ages and levels do you teach?
- From very Beginners (5 years old or adults) to Advanced at any age.
- Which qualifications do you prepare your students for?
- ABRSM and Guildhall Trinity College examination boards
- Do you have an up-to-date CRB (Criminal Records Bureau) disclosure certificate?
- Disclosure Number 001301417971
09 November 2010 - Describe your arrangements for online tutoring.
- "EVERYONE IS INCLUDED" policy. Just give me a call and we discuss the options.
- Do you belong to any professional organisations?
- IFL (Institute for Learning)
- Where and with whom did you train?
- Maestro Bruno Leonardo Gelber (Monaco)
Maestra Elsa Puppullo (Buenos Aires)
Maestro Sebastian Colombo, CEP (Barcelona) - Tell me about some of your current students.
- Ages from 5 to 58 years old. Teenagers Grade 2 to 9.
- Do you have a personal message for students?
- I'm willing to share the greatest passion for Music and a solid technical and expression knowledge.
My last concerto with Orchestra:
http://www.youtube.com/watch?v=4EB8z8iAmAk
My Articles
Our approach to understanding music
Music Theory and our approach to understanding music Teaching Music Theory could be a valuable artistic experience comparable to performance and even composition. The way in which teachers adapt their pedagogy to different learners is the key to success in a discipline that otherwise could be at least not-very-friendly… Music Theory is to...
GCSE Music: Quick review of general structure and
GCSE Music: Quick review of general structure and particular pedagogical approach Whenever we talk about a standardized model of evaluation, we certainly are speaking about a way to facilitate higher education institutions, employers and other stakeholders to know what a certain individual has studied and assessed. Therefore, GCSE subject...
Vicenzo Scaramuzza's Technical Approach
Learning the piano implies the fact of acquiring the knowledge to identify what has to be done to sort out the different expressive and technical challenges involved in the interpretation of a musical piece. Many of the most popular problems students have when working over pianistic difficulties rely on the lack of well-defined skills to start...
Gracia Maxima: an Overview
Gracia Maxima: a Stravinskian and Aristothelic overview “Gracia Maxima” by Juan José Rezzuto. Analysis, points in common and main concepts. “The study of the creative process is an extremely delicate one. In truth, it is impossible to observe the inner workings of this process from the outside. It is futile to try and follow...
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