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Editor's Pick

Music: a Sixth Sense

Learning a musical instrument is, to most, a new hobby, a chance to feel good about yourself, a...

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Organised practice

Practising can feel like a chore at any age and stage until you know how to practise...

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The Importance of Your Body in Cello Playing

Introduction Below is an outline of the cello technique I have been taught as I understand it,...

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Teaching From The Balance Point

I think Edward Kreitman’s Teaching from the Balance Point is very useful for teachers and...

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  • George Pasca Acton, W3 Gold Member

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    from £35.00/hr View Profile
    I enjoy teaching to a wide range of ages and abilities, focusing on developing the student`s creativity and musicianship.
  • Christopher Poffley Felixstowe, IP11

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    from £32.00/hr View Profile
    I am an instrumental music teacher with over 25 years experience. But we have also home schooled 7 of our own children. 4 have recently graduated from high level Universities including Edingburgh and Sheffield
  • Hannah Olbrich Fallowfield, M14 Gold Member

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    from £20.00/hr View Profile
    Hello! I am a graduate of the Royal Northern College of Music and a patient, enthusiastic teacher. Please feel free to ask me any questions you may have.
  • Dave Hornberger Didsbury, M20 Gold Member

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    from £25.00/hr View Profile
    Hello! I'm Dave, a freelance cellist. I teach people of all ages and abilities from my home in the heart of Didsbury Village.
  • Joshua Lynch Central Manchester, M1 Gold Member

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    from £30.00/hr View Profile
    'Joshua has a clear and focused approach to teaching the cello. He is extremely attentive to the specific needs of his students and his caring nature and interest in each of his students makes for a strong and productive working relationship.'
  • Hampstead Music School Dulwich Village, SE21 Gold Member

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    from £60.00/hr View Profile
    I am an experienced and highly qualified teacher providing music lessons to beginner and advanced level students.
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Cello Articles

  • Teaching method books

    Alice Perrin Cello Teacher (South East London) Picture As part of my LTCL module at Trinity Laban Conservatoire of Music and Dance, I am constantly learning new teaching methods as well as how different students might respond to them. The following books have been really helpful for this: Paul Harris: 'Improve your teaching: the virtuoso teacher',...
  • Teaching From The Balance Point Editor's Pick

    Lauren Jones Cello Teacher (Manchester) Picture I think Edward Kreitman’s Teaching from the Balance Point is very useful for teachers and parents because it very succinctly explains the Suzuki Method while providing a wealth of practical information. Essentially the message is that all children have talent, and their environment determines...
  • Learning Whilst Doing

    Alice Sophie Cello Teacher (South East London) Picture Over the years I have had the opportunity to learn about different teaching styles, which has resulted in my current approach to teaching. My main emphasis is placed on left and right hand technique as well as the posture of the students. Whilst technique work is important, a lot of time should...


  • Thomas McMahon - Biography

    Thomas McMahon Cello Teacher (Birmingham) Picture Born into a musical family, Thomas' early studies were with John Senter. He went on to study at the Birmingham Conservatoire with John Todd, Philip Higham and Alexander Baillie, graduating in 2014 with distinction.  Thomas' solo career began as a postgraduate student. Having already performed...
  • Bach vs. Britten

    Melody Lin Cello Teacher (North West London) Picture When people go to cello recitals, the program usually includes a solo suite by Bach, a sonata with piano, or a concerto played with piano accompaniment. But do you ever hear solo suites by a great British composer? British composer, Benjamin Britten wrote three suites for solo cello, and in this...
  • Frank Bridge: A Stylistic Transition

    Clare Durgan Cello Teacher (South East London) Picture Frank Bridge’s (1879-1941) Cello Sonata of 1913-17 embodies an artist’s innermost discontent. Spanning the length of the First World War almost exactly, its creation is a product of Bridge’s transient middle period where his Brahms-Stanford lineage manifests itself, in tandem with an emerging...